Julia Erickson, originally from Seattle, received her training on scholarship with Pacific Northwest Ballet School and San Francisco Ballet School. She toured to Europe and Asia with PNB and danced with Texas Ballet Theater for two seasons prior to joining PBT in 2001. She was promoted to soloist in 2004 and to principal in 2009. Among her principal roles, Julia has performed Swan Lake (Odette/Odile), La Bayadère (Nikiya), The Sleeping Beauty (Aurora, Lilac Fairy, Carabosse), La Sylphide (the Sylph), Le Corsaire (Gulnare), Diana and Acteon; Balanchine’s Theme and Variations, Western Symphony (4th Movement), Who Cares?, Prodigal Son, Sylvia Pas de Deux, Agon, and Serenade; and Jerome Robbins’ West Side Story Suite (Anita), In The Night and Fancy Free. She has also danced the roles of Lady Capulet in Jean-Christophe Maillot’s Roméo et Juliette, Myrtha in Giselle, “An Episode in his Past” in Antony Tudor’s Jardin Aux Lilas (Lilac Garden), the Wife in Jerome Robbins’ The Concert, and featured roles in Balanchine’s A Midsummer Night’s Dream (Helena, Hippolyta), The Four Temperaments (2nd Theme) and Divertimento No. 15. Her contemporary repertory includes Paul Taylor’s Company B; Twyla Tharp’s In the Upper Room, Nine Sinatra Songs, and Octet; William Forsythe’s In the Middle, Somewhat Elevated, and Jiří Kylián’s Petite Mort and Sinfonietta. Julia also dances for Santa Monica-based Barak Ballet, received Pittsburgh’s 2014 BRAZZY Award for outstanding female dancer and is an entrepreneur and writer.