Pittsburgh Ballet Theatre & Dance Theatre of Harlem

Featuring the Pittsburgh Jazz Orchestra

In Collaboration with Pittsburgh Dance Council and Pittsburgh Cultural Trust
Made possible with support from Richard King Mellon Foundation, The Benter Foundation, Edith L. Trees Charitable Trust and Richard E. Rauh

Pittsburgh Ballet Theatre joins forces with Dance Theatre of Harlem for an exciting collaboration at the August Wilson Center. In PBT’s first cross-company pairing, the two companies will present a mixed bill program celebrating the diversity of dance talent and styles in American ballet. A trailblazing company for classical dancers of diverse racial backgrounds, Dance Theatre of Harlem became a New York City institution in 1969 – the same year PBT was born in Pittsburgh. With five works on each eclectic program, the audience will see dance from choreographers, including Glen Tetley, Dwight Rhoden and Robert Garland, and hear music from artists, such as Johannes Brahms, Aretha Franklin, James Brown and Pittsburgh native Billy Strayhorn. Each company will perform signatures from its own repertoire, and the two troupes will collaborate on a staging of the bravura “Black Swan Pas de Deux” from Swan Lake.

Learn More

 

Pittsburgh Ballet Theatre & Dance Theatre of Harlem

Featuring the Pittsburgh Jazz Orchestra

In Collaboration with Pittsburgh Dance Council and Pittsburgh Cultural Trust
Made possible with support from Richard King Mellon Foundation, The Benter Foundation, Edith L. Trees Charitable Trust and Richard E. Rauh

Pittsburgh Ballet Theatre joins forces with Dance Theatre of Harlem for an exciting collaboration at the August Wilson Center. In PBT’s first cross-company pairing, the two companies will present a mixed bill program celebrating the diversity of dance talent and styles in American ballet. A trailblazing company for classical dancers of diverse racial backgrounds, Dance Theatre of Harlem became a New York City institution in 1969 – the same year PBT was born in Pittsburgh. With five works on each eclectic program, the audience will see dance from choreographers, including Glen Tetley, Dwight Rhoden and Robert Garland, and hear music from artists, such as Johannes Brahms, Aretha Franklin, James Brown and Pittsburgh native Billy Strayhorn. Each company will perform signatures from its own repertoire, and the two troupes will collaborate on a staging of the bravura “Black Swan Pas de Deux” from Swan Lake.

Learn More

 

Pittsburgh Ballet Theatre & Dance Theatre of Harlem

Featuring the Pittsburgh Jazz Orchestra

In Collaboration with Pittsburgh Dance Council and Pittsburgh Cultural Trust
Made possible with support from Richard King Mellon Foundation, The Benter Foundation, Edith L. Trees Charitable Trust and Richard E. Rauh

Pittsburgh Ballet Theatre joins forces with Dance Theatre of Harlem for an exciting collaboration at the August Wilson Center. In PBT’s first cross-company pairing, the two companies will present a mixed bill program celebrating the diversity of dance talent and styles in American ballet. A trailblazing company for classical dancers of diverse racial backgrounds, Dance Theatre of Harlem became a New York City institution in 1969 – the same year PBT was born in Pittsburgh. With five works on each eclectic program, the audience will see dance from choreographers, including Glen Tetley, Dwight Rhoden and Robert Garland, and hear music from artists, such as Johannes Brahms, Aretha Franklin, James Brown and Pittsburgh native Billy Strayhorn. Each company will perform signatures from its own repertoire, and the two troupes will collaborate on a staging of the bravura “Black Swan Pas de Deux” from Swan Lake.

Learn More

 

Beat the Winter Blues: 5 Reasons People Are Going Mad for ‘Alice’

Alice in Wonderland: Corridor of Doors

Sick of short days, gray skies and cabin fever? Ditch reality, embrace the madness and find out why people are raving about their wild trip to PBT’s Alice in Wonderland. This imaginative production is onstage through Feb. 19, at the Benedum Center. Get your tickets before it’s too late!

Alice in Wonderland: Down the Rabbit Hole

1. The stagecraft is simply astonishing. Floating clocks, confusing corridors of doors, teapots that pour on command, Queens who appear out of thin air – we’re all mad here.

Alice in Wonderland: Mad Tea Party

2. Kids can’t get enough. From a dancing dormouse to mind-blowing magic tricks, there’s never a dull moment. According to one Tweeter, her six-year-old son was “ENTHRALLED.” Her advice? “Go now!”

Alice in Wonderland: Queen of Hearts
3. The Queen of Hearts’ performance is “DELICIOUSLY WICKED (Pittsburgh City Paper).” You’ll literally see red when the Queen loses her head over a game of croquet.

Alice in Wonderland: Playing Card Tutus 4. And, according to Facebook, everybody loves those tutus made of playing cards.

Alice in Wonderland: White Rabbit5. Really, it just “hit all the high points — from a surreal transition to Wonderland, replete with torso-less tutus and floating teapots, to the Rose Garden, dominated in no uncertain terms by a glamorous villainess, Queen of Hearts Julia Erickson (Pittsburgh Post-Gazette).”

Getting curiouser and curiouser, but still need convinced? Find more interesting tidbits about the ballet here.